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POTTERY
INSTRUMENTS FROM SOUTH AMERICA
Pottery
made in South America varies dramatically based on the
tribes and regions. For years, the people of Mexico, along with South and Central
America tried to make pottery creations using low fired
clay. Pottery
and ceramic was done by hand and then fired in large outdoor
kilns. Typically,
you would see creations for everyday things to include jugs,
pipes, cooking pots, whistles, jugs, tiles, and a number of
other things.
Interestingly,
musical instruments were commonly made from pottery.
Although these instruments began as domestic cooking
pots, the South American people discovered that when the
pots contained varying levels of food or drink, they
produced different sounds.
Among the most popular creations were whistles and
flutes. In fact
today, if you were to visit South America, you would find
globular flutes everywhere used to imitate objects to
include deer skulls and conch shells.
The
whistling jars from South America are called “silbador”,
which are made by connecting a number of pots that have a
spout on the end and then the special whistle mechanism on
the other side. These
pots are then filled with water and rocked back and forth to
create movement. The
movement of the water changes the level of air that pushes
over the whistle, thus the different sounds.
The earliest such whistle is dated back to 500 AD.
Many
of these pots were created in the shape of a parrot, monkey,
or some other animal. Keep
in mind that while many of these instruments have a number
of chambers, this does not change the sound as once
believed. Now,
the globular flutes found today are created with an air duct
and stop. One such example found in Mexico and Malaya is shaped as a
bird. Also
unique to South America are pottery panpipes, which are made
by pressing clay onto a cane core and then joined with
several of varying lengths, which produces the different
sounds. Typically,
the blowhole is elliptical that helps to make the sound
easier.
When
compared with flutes, pottery trumpets are a rare find even
though they were distributed widely throughout Europe,
India, Western Europe, parts of Africa, and South America.
Taking the clue from conch shells, pottery imitations
soon followed, known as “potuto”.
Another pottery instrument coming out of South
America is called the “intambula”, which is a drum that
has a skin held over it by one man while a second man beats
on it. More
commonly known in the United States as a kettle drum, these
drums were designed a little different in that they did not
have an open end and they can be tuned.
For drums, two-headed pottery styles are very hard to
find although some still exist in some Indian villages found
only in North America.
Another
common instrument made from pottery in South America is the
rattle. Experts
believe these instruments were copies of gourd rattles. Depending on the rattle, some are designed with a rattlesnake
molded on the outside, which is a suggestion of the rattling
sound produced. In
most cases, these pottery instruments are very elaborately
decorated and used for special ceremonies.
Throughout the years, archaeologists have been able
to uncover different types of South America pottery, giving
them an important look into the people and types of natural
materials used. The
pottery unearthed also provided a glimpse into settlement
patterns of the settlers, religious beliefs, and
agricultural practices.
We have learned much from the South American people
through their work with pottery, recreating many of the
styles that are so rich in history.
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