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The
Music of Mexico is extraordinarily diverse and features a
wide range of different musical styles. The most well-known
Mexican genre by far is mariachi, a style of traditional
Mexican son which is considered old-fashioned but respected
traditional music and is usually listened to as modern
music. Mexican ranchera (country music) styles, including
norteño and banda, are not only popular within Mexico
itself, but Mexican immigrants in both rural and urban
American communities also frequently enjoy them. Norteño,
similar to Tejano music and Tex-Mex, arose in the 1930s and
40s in the Rio Grande border region of southern Texas.
Influenced by Bohemian immigrant miners, its rhythm was
derived from the European polka dance popular during the
1800s. Banda, similar to norteño in musical form,
originated from the Mexico state of Sinaloa during the
1960s. Other new styles such as cumbia, pop, and rock have
seen increased popularity as the music of Mexico faces a new
generation of young people.
Southern
Mexican folk music is centered around the marimba, which
remains popular in Chiapas and Oaxaca. In Yucatán the
traditional Jarana music and dance is popular.
Modern
Mexican musical styles are also changing Mexican music.
Cumbia, pop, hip-hop, and rock, which are heavily influenced
by music from the Caribbean islands and the United States,
is increasingly becoming popular among Mexican youths on
both sides of the border.
Mexican
son
In
the 1940s, Mexican music began its rise to international
fame, just as Cuban music was topping charts across the
globe. Since then, Mexico has absorbed influences from
across Latin America, most especially include Colombian
cumbia, which is now as much or more known as a Mexican
trend than a Colombian one.
Mexican
pop music derives from a mixture of Spanish, African and
Aztec or other indigenous sources. Related to Cuban son
montuno and Venezuelan joropo, Mexican son arose in the 18th
century. It is similar to, but historically and
characteristically distinct from, Cuban son montuno, despite
the similarity in nomenclature. Nine or ten styles of
Mexican son have been popular, including mariachi. Mexican
son has been rural for most of its history, and requires
audience participation for zapateado, or foot-stamping done
in a counter-rhythm. Most bands use string instruments and
improvised lyrics.
Mariachi
As
the most well known regional musicians of Mexico, mariachi
bands became common in Jalisco around the beginning of the
20th century, originally playing at weddings. The earliest
known appearance of this term in reference to music is from
1852. It is said that General Porfirio Díaz, in 1907,
ordered a mariachi band to play for the United States
Secretary of State, only if they wore charro suits, which
were worn by the poor musicians' bosses. This is the source
of traditional dress for mariachi bands, and is considered
the beginning of modern mariachi. By the turn of the
century, mariachi was popular across Mexico. Rural subgenres
have largely died out, and urban mariachi from Mexico City
has dominated the field since the 1930s. It became known as
the national music of Mexico after the 1910 Mexican
Revolution, and was subsidized during the term of Lázaro Cárdenas.
Cornets were added to mariachi in the 1920s; trumpets
replaced them ten years later.
Mexican
immigrants in the United States made Los Angeles the
mariachi capital of the USA by 1961. Mexican music was
popularized in the United States in the late 1970s as part
of a revival of mariachi music led by performers like Linda
Ronstadt. One of the most well known examples of Mexican
music (at least in the United States) is "La
Cucaracha" and the Mexican Hat Dance ("El jarabe
tapatío").
The
golden age of mariachi was in the 1950s, when the ranchera
style was common in American movies. Mariachi Vargas played
for many of these soundtracks, and the long-lived band's
long career and popular acclaim has made it one of the
best-known mariachi bands.
Jaliscenses
Jalisco's
folk music (jaliscienses) is the source of the
internationally-revered mariachi genre, after it was
popularized by Mexican cinema.
Jarochos
Jarochos
music comes from the Veracruz area, and is distinguished by
a strong African influence. International acclaim has been
limited, including the major hit "La Bamba". The
most legendary performer is Graciana Silva, whose Discos
Corason releases made inroads in Europe. Southern Veracruz
is home to a distinct style of Jarochos that is
characteristically lacking a harp, is played exclusively by
requinto or jarana guitars, and is exemplified by the
popular modern band Mono Blanco.
Arribeño
Sierra
Gorda's villages are home to trovadores who play arribeño
music. Known for lyrical innovation, the genre is
competitive in nature, and is accompanied by guitars and
violins. Guillermo Velázquez is the best-known exponent of
arribeño.
Calentanos
Melodically
complex violin music from the Balsas River Basin of western
Mexico. Juan Reynoso is especially popular, and has won the
National Prize for Arts and Sciences.
Arpa
grande
Sones
de arpa grande developed in an arid, hot area of western
Mexico. A harp, accompanied by violins and guitars,
dominates it. Originally confined to poor rural areas and
urban brothels, sones de arpa grande is now popular among
the suburban and urban middle- and upper class audiences.
Juan Pérez Morfín and Beto Pineda are the most well known
performers.
Abajeños
and istmeños
Indigenous
communities have produced their own variants of Mexican son,
which is otherwise a primarily mestizo genre. The Purépecha
(from Michoacán) are known for the sones abajeños, which
are often played alongside pirekaus, a form of native love
song. Famous bands include Atardecer and Erandi.
The
Zapotecs of Oaxaca have produced some extremely famous love
songs, and the people's sones istmeños, which are sung in
both Zapotec and Spanish. The music has been popularized,
primarily by pop stars from outside the area, including Lila
Downs.
Son
huasteco
Son
huasteco music, a style developed by Mexico's Huastec
people, is a genre which has been gaining in popularity in
recent years. Two guitarists sing in a falsetto with
accompaniment by a violin. Improvisation is common. Los
Camperos de Valle and Trio Tamazunchale are especially
influential performers.
Mexican
ranchera
The
first major international trend from Mexico was the
popularization of ranchera, which had developed early in the
20th century out of mariachi, and became popular in Latin
America after being used in several films. Thus, a new
traditional Mexican ranchera (country music) style came out.
Norteño and banda are popular bands that play mainly
rancheras and corridos. Most first-generation Mexicans
prefer norteño and banda, while the younger generation are
more oriented toward cumbia and Mexican hip-hop. Many
Mexican radio stations in the United States are devoted to
playing mainly norteño and banda, such as the radio station
"97.9 en East Los Angeles - el número uno en bandas y
norteñas!"
Norteño
Norteño
music (similar to Tex-Mex and Tejano in the United States)
almost always has the accordion as the lead instrument, with
guitars serving as its roos. Norteño is an outgrowth of
corridos, which told tales of the Mexican Revolution. In the
late 1920s, the corridos entered a golden age when Mexicans
on both sides of the border recorded in San Antonio-area
hotels, revolutionizing the genre alongside Mexico's
political revolution. By the time the golden age ended,
Narciso Martínez and Santiago Jimenez had introduced the
accordion, which had been introduced by Bohemian miners who
immigrated to the country in the late 19th century.
Alongside the accordion came the polka, which, alongside
waltzes, chotis and mazurka, mixed with corridos to form
modern norteño in the early 1950s. Although norteño
originated in the American state of Texas, it is popular
among Mexican Americans from virtually any region of the
United States. Later in the century, bands such as Los
Tigres del Norte and Los Cadetes de Linares added influences
from cumbia, rock music, and other new styles, thus creating
a unique new blend in some of their new songs.
Banda
Banda
music, or Mexican big band music, originated in the
northwestern Mexican state of Sinaloa. In the 1990s, banda
exploded in popularity among Hispanics in both the United
States and Mexico. Originally instrumental, this style was
popularized by Banda el Recodo, Julio Preciado, and other
major stars who started including lyrics and converting
popular songs into this genre.
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